Opening the Voice Box

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Crazy week. Good crazy.

We are rehearsing the opera Voice Box and in the five days we have finalised the music and the stage is getting there too. The flutist Jacintha Damström is also singing and doing circus and the pianist Maija Parko is playing and lecturing. But the hero of the piece is the coloratura soprano Mia Heikkinen: She is talking and singing, acting and dancing trough the whole piece…

And her voice is also the starting point of the whole piece! The very first word she sings in the opera is actually a map to the whole piece:

One voice with six registers – six lectures about this voice – six worlds. And obviously the huge jumps of the melody demonstrate, that this singer isn’t afraid of anything!VBM02väreillä.jpg

The premier of the Voice Box will be on 18th of May and after this will come the big question: how will we transport it to Venice to the Research Pavilion? At least I’m going to show some best of the video craziness. And then I would love to show you, how I analysed the singer’s voice. I created the Voice Map, which creates a graph of singer’s voice and makes the communication between the singer and the composer easier.

But if talking about voice analysis seems dry, maybe you should watch a video about it. I think using the style of a shopping channel is a perfect way to sell new artistic research and experimental music theatre!

Miika Hyytiäinen’s event “The Voice Map – compose for the person, not for a soprano!” is part of the Research Pavilion’s Camino Events programme.

Learn more

VT (Re-blogged): STARTING

Text published at the website www.virtualpresenttour.com, as part of the project ‘Virtual Tour’ by Mireia c. Saladrigues.  

Everything is more a less ready for the opening after the tremendously hectic and busy week. But Niran had quite a surprise this morning when she came back to the Pavilion. One part of her delicate installation, made of about 150 photographs and strings, had been moved. Cleaners may constantly face difficulties while doing their job. We all know of cases of cleaners that have swept artworks away. For example, in the Museion Museum in Bolzano, the installation ‘Where shall we go dancing tonight?’ by Sara Goldschmied and Eleonora Chiari ended up in the garbage. Here no one thought that the cleaning woman might need to plug the vacuum cleaner, so she used Niran’s socket…

  

‘Virtual Tour’ by Mireia c. Saladrigues (Doctoral Department – Academy of Fine Arts – Uniarts Helsinki) is in show at the exhibition ‘You Gotta Say Yes to Another Access’ in the Research Pavilion from 10th of May to 2nd of July.

Word from Commissioner Anita Seppä

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Uniarts Helsinki’s Research Pavilion for artistic research opens its doors in Venice on 10 May, the same day as when the Venice Biennale opens. The Pavilion’s venue Sala del Camino, a beautiful ex-monastery located in the Island of Giudecca, is an ideal place for art exhibitions, as well as workshops, concerts, performances and artistic interventions. Just on the other side of the Canal lies Giardini, the heart of the Biennale, with its energetic art tourists and souvenir shoppers. The island of Giudecca that’s surrounding the Research Pavilion, on the other hand, has a very different atmosphere: it is characteristically domestic and quiet.

Two years ago, in this uniquely rich cultural environment we hosted the first Research Pavilion under the theme Experimentality. The Pavilion for 2017 builds off of that, but also presents a radically new concept. First of all, the Research Pavilion will be a distinctly shared project, a joint effort set up by the talented people from all the academies of Uniarts Helsinki: the Academy of Fine Arts, Sibelius Academy and Theatre Academy. As such, the Pavilion will extend its scope to cover not only fine arts, but also music, performing arts, dance and theatre.

Second, this year’s Research Pavilion has a strong Nordic presence. We have invited the central networks of artistic research in Sweden and Norway (altogether 22 arts institutions of higher education), and their representatives Ingrid Elam, Cecilie Broch Knudsen and Geir Strøm are members in our Scandinavian steering group. This group of experts serves as an advisory body in the project and will also contribute to future strategic planning. In this political climate, as new walls are built up on a daily basis to hinder free mobility and international cooperation around the globe, it feels especially important to intensify the cultural partnerships between our closest neighbours and other transnational networks.

During the summer of 2017, the Research Pavilion will host three art exhibitions, which also present new international forms of collaboration with the famed Academy of Fine Arts Vienna and Zurich University of the Arts. In addition, the tremendously interesting series of artistic research activities called Camino Events will bring over a hundred professionals and students from around the world to Venice as guests of Uniarts Helsinki.

The first exhibition in the Research Pavilion is You Gotta Say Yes to Another Access, which will give thirteen Nordic doctoral students the chance to work on this year’s theme of the Pavilion, the Utopia of Access. In July-August, Florian Dombois from Zurich University of the Arts will go to the lagoons of Venice on a boat with golden sails to collect material that he’ll use to build a wind tunnel in the Pavilion for his exhibition, Galleria del Vento. The final exhibition Hauntopia/what if features works by doctoral students from the Academy of Fine Arts Vienna. They will study traces of “ghosts” of the past and their effects on both the present time and our utopias of the future.

The Research Pavilion will articulate to an international audience how contemporary artistic researchers and researchers in the arts process topical questions and utilize fresh methodologies with respect to the theme Utopia of Access.  During the summer of 2017 we’ll see how experts of fine arts, music, dance, theatre, performing arts and curating produce art, research and pop-up events in the Pavilion and the surrounding urban space. Without a doubt the outcome will surprise us, in one way or another, as is to be expected when it comes to utopias.